The Art of Composition- Reimagined
A NEW WORKSHOP and textbook
Every photograph is a singular composition. Explorations of composition underlay all subject matter, whether portraits, landscapes, still-life, or documentary works.
But it’s my observation that there are no compositional “rules.” It’s not that it can’t be taught “because it’s a feeling,” (as many suggest) but rather, it’s an epiphenomena from practicing other aspects of photography.
What we learn as photographers is how to use a camera to modulate the busy-noise of the scene, and whittle it down to something you more clearly want to present. It’s not just about seeing clearly but importantly, knowing how to simplify.
Shutter speed, lighting, framing, depth of field, focal length – these are the tools and techniques we master. The adjustments happen almost concurrently and often unconsciously–the simplification techniques and the emergent composition of forms that result. Depending on time available in the shooting, the photographer does big adjustments (position logistics, focal length, vantage point) and also constant quick micro adjustments (parallax, focus, framing) to wiggle everything into place. The spontaneous geometry between the “wiggling” and the world in motion is the “decisive moment.” That’s the feeling part. No right or wrongs, just various feelings you try on like a hat, and see if it all works. And all of this– this can be taught.
This new workshop from M. H. Rubin offers a different approach to composition. Together you’ll dig into rhythms and narratives in your frames—no matter what the subject matter. Ikebana, the Zen art of flower arrangement, can offer interesting insights into photographic composition. Its expressions of formality, symbolism, line, and the weight of empty space are all applicable to the photographic frame. You will also glean insights from a better understanding of the human visual system, and the way the brain processes information. But mostly, you’ll learn how to play with the balance of forms in your photos, get a sense for what you like.
This workshop delves into the history of photographic composition. You’ll view a range of classic images through the lens of composition, from the formally structured to the seemingly chaotic. You’ll examine works by renowned photographers—Callahan, Kenna, Cunningham, and hundreds of others. Through historical context and practical application, you’ll learn that no gimmick or technique surpasses the necessity (and fun) of reimaging the art of photographic composition.
Upcoming
Lectures, Presentations & Keynotes
Request a 60-min live presentation for your photo group/club.
I offer a unique method of teaching and thinking about photography that combines lessons of mid-century modernism with the principles of haiku (alongside a Zen-arts philosophical foundation) to create more enjoyable and interesting pictures. While technical and business aspects of photography are important, I focus on aesthetics and philosophy to help students understand what makes a good picture and how to continue growing once they have technical skill. This approach can be applied to any kind of subject matter, and emphasizes quick, improvisational, composition. Whether you're a beginner or an expert, this method is challenging and rewarding to learn.